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Which Eversolo Should You Actually Buy? Eversolo DMP A6 gen2, A8 gen2 and A10 Comparison Guide



This is sort of part 2 of my review of Eversolo DMP A8 Master Gen2. Please look at that review to have a full picture of what i am talking about:


Five machines. One family. I'm going to tell you exactly what you get and exactly what you lose as you move up and down this range, so you stop guessing which Eversolo is actually yours. And than we are going to talk little bit about value and which one of these devices hold the ultimate value among them.


No filler. Let's go.


Map of DACs inside of these products


Before the fights, one thing that explains almost everything: the DAC chips. Follow this and half the pricing suddenly makes sense.


The A6 Gen 2 runs dual ESS ES9038Q2M chips. Good, mid-tier ESS.


Every A8, the Gen 1, the Gen 2, and the Master, runs AKM's flagship pairing, the AK4191EQ processor feeding the AK4499EX converter. That's the same conversion silicon you'll find in players costing many times more.


And the A10, the current flagship, jumps to ESS again, but the flagship one this time, the ES9039PRO.


So the ladder is not one straight line. It's ESS mid, then AKM flagship, then ESS flagship. Brand and voicing shift as you climb, not just price. Hold that thought.



THE SPEC MAP



A6 Gen 2 (Master)

A8 Gen 1

A8 Gen 2

A8 Gen 2 Master

A10

Price

$1,399

$1,980 (disc.)

$1,980

$2,580

~$3,680 to $3,999

DAC

2x ES9038Q2M

AK4191 + AK4499EX

AK4191 + AK4499EX

AK4191 + AK4499EX

ES9039PRO

USB processor

XMOS XU316

XMOS XU316

AuralEngine

AuralEngine

in-house

Screen

6"

6"

8.6"

8.6"

6.5"

RAM / storage

4GB DDR4 / 32GB

4GB DDR4 / 64GB

8GB DDR5 / 64GB

8GB DDR5 / 64GB

8GB / large

SSD ceiling

up to 4TB

up to 4TB

up to 8TB

up to 8TB

up to 8TB (twin M.2)

Clocking

Accusilicon femto

dual femto

dual clocks

OCXO + PLL + 10MHz in

custom OCXO <50fs

Analog inputs

No

Yes

Yes

Yes

Yes

Built-in CD

No

No

No

Yes (top-load, rips)

No

Sub out

No

No

Yes (40 to 500Hz)

Yes

Yes (twin)

Size

compact

mid

mid

mid, taller

full-size heavyweight



Eversolo DMP A8 Master Gen2 vs Eversolo DMP A8 Gen2


Two black EverSolo audio components on a gray studio background, with glowing screens, volume knobs, and music app icons.

Start here, because this is the one people get wrong.


What does the extra $600 for the Master actually buy? Two things. That's it.


One: the clock. The Master swaps the standard clocking for an OCXO, an oven-controlled oscillator that holds its temperature so it won't drift, plus a PLL and a 10MHz external clock input for master clock systems.


Two: the CD. A proper top-loading transport built into the chassis that plays discs and rips them straight into your library. The standard has no disc drive at all.


Now, what do you NOT get? A better DAC. A better preamp. Better measurements. The conversion path and the claimed numbers are basically identical between the two. Eversolo themselves don't promise the Master sounds better.


So the honest read: this is not a sound upgrade you're buying. It's a features upgrade.


Own CDs? Even a modest shelf of them? The Master is a no-brainer, because there is no other way to fold discs into this system with anything like this integration.


Stream only? Buy the standard, pocket the $600, and don't let the external clock input tempt you. You will never plug anything into it.


Eversolo DMP A8 Gen2 vs Gen1


EverSolo DMP-A8 music streamer with touchscreen tiles for Music, Streaming, Files, Source, Settings and a volume knob.

Here's the fun one.


The Gen 2 costs exactly what the original A8 launched at. Same $1,980. So this isn't "what does more money get you." It's "what does three years of engineering get you when the price stands still."


And the answer is: not the DAC. That flagship AKM pairing carries straight over, untouched. Eversolo knew it was the crown jewel and left it alone.


Everything AROUND it got rebuilt.


The USB processor moves from the old XMOS chip to Eversolo's own AuralEngine. The screen jumps from 6 inches to 8.6. RAM doubles, and moves from DDR4 to faster DDR5. The storage ceiling doubles from 4 to 8 terabytes. And you gain a stack of connectivity the original never had: SFP fiber networking for an isolated feed, HDMI eARC, Bluetooth 5.4, a subwoofer output with a real crossover, and the newer room correction suite. The measured numbers even tick up a hair on paper.


So if you own a Gen 1, is this a must-upgrade? Probably not for sound alone, since the heart is the same. But if you were buying today, there's zero reason to hunt a used original when the Gen 2 gives you a better everything-else for the same money.


The Gen 1 had a good run. It's discontinued now. This is why.



A8 Gen 2 Master vs A6 Gen 2


Black Eversolo audio streamer with touchscreen showing TIDAL Tunnel Vision and a large volume knob on a white background

The A6 Gen 2 is the box a lot of people should probably buy, and the one this channel gets asked about constantly. So why is it so much cheaper, and what are you giving up?


Three real gaps.


The chip. The A6 runs those dual ESS ES9038Q2M converters. Excellent for the money, genuinely, but a tier below the A8's AKM flagship stack. This is the single biggest reason for the price difference.


The inputs. And this one catches people out. The A6 Gen 2 has balanced and single-ended preamp OUTPUTS, but no analog line INPUTS. So you cannot run a turntable's phono stage or a second analog source through it. The A8 can. If your system has anything analog in it, that matters a lot.


The body and the screen. The A6 is a compact desktop-sized unit with a 6-inch screen. The A8 is a full-width component with the big 8.6-inch panel, more compute, and a beefier build.


And the CD, obviously. The A6 has no built-in transport. If you want discs on an A6, you're dangling a USB drive off the back. The A8 Master has the real thing inside.


So who's the A6 for? Someone who streams, has no analog sources, wants the smaller footprint, and wants to save real money. For that person it's arguably the smartest buy in the whole lineup. But it is not a baby A8. It gives up the flagship DAC, the inputs, and the disc. Know that going in.


A8 Gen 2 Master vs A10


Sleek black Eversolo DMP-A10 music streamer with touchscreen and volume knob on a white background, showing colorful app icons.

Now the other direction. The A10 is the current flagship, and it costs over a thousand more than the A8 Master, sometimes closer to fourteen hundred. So how much better is it, really?


Where the A10 genuinely pulls ahead: build and parts. It's a full-size heavyweight, premium capacitors and internals, sculpted heatsinks, the works. It moves to the flagship ESS ES9039PRO with a custom sub-50-femtosecond clock and isolated USB output. It has twin drive bays and twin subwoofer outs. As an object, it's a clear step up.


But here's where it gets awkward for the flagship.


The A10 has no CD. None. So the A8 Master, technically the cheaper junior product, does something the flagship physically can't.


The A10's screen is smaller. 6.5 inches, against the A8's 8.6. You spend more and lose display.


And the software is identical. Same Android base, same app, same quirks, all the way up. Spending A10 money does not buy you out of the one thing people actually complain about.


On sound, people who've heard both tend to describe the A10 as a touch more refined rather than a different league. A flavor, not a chasm.


So the A10 is the flagship for a reason if you want the best-built, best-measuring Eversolo and you never touch a disc. But for a lot of us, and especially anyone with CDs, the A8 Master lands in a sweeter spot than its price position suggests.


THE ACTUAL CEILING: Z10 + T10


Two black Eversolo audio components on a white background, with touchscreen app icons and a large volume knob.

So if the A10 is the flagship box, is that the top of Eversolo? No. And this is the part most people miss.


The real peak isn't a box at all. It's two of them.


Take the DAC-Z10, a $1,980 dedicated converter, and pair it with the T10, a $2,180 dedicated streaming transport. Two separates, $4,160 together, and this is where Eversolo stops making compromises.


Why is this the ceiling? Because everything the one-box units have to share, these two get to keep apart.


The Z10 is a true dual-mono DAC. Each channel gets its own full AK4191 plus AK4499 chipset, its own signal path, and its own linear power supply, three supplies in total, left, right, and system, under what Eversolo calls its Fully Isolated Architecture. No A8, not even the Master, does that. In an all-in-one, the two channels always share something. Here they share nothing.


The T10 is a transport that does one job, streaming, with nothing analog nearby to pollute it. Its own OCXO, its own isolation, a 2.5G network port, and clock inputs so the two boxes can run off a shared reference. And here's the tell: the T10's footprint is built to be exactly the Z10's, so the transport sits on top of the DAC, linked over I2S, one tidy stack. Eversolo didn't just release two products. They drew you a system.


That is the absolute peak of what Eversolo can do right now. Full channel separation, transport and DAC divorced into separate chassis, clock-linked, no compromises left to make.


So where does that leave the A8 Master? Here's the beautiful part.


The A8 Gen 2 Master is that exact philosophy, transport plus flagship AKM conversion plus preamp, folded into one box, with a CD player thrown on top, for less than the Z10 costs on its own. You give up the dual-mono separation and the two-chassis isolation. You gain simplicity, a disc drive, and about two grand back in your pocket.


The Z10 plus T10 stack is the no-compromise ceiling. The A8 Master is the smartest possible distillation of it. Which of those two you want comes down to one question: do you want the best Eversolo can build, or the most Eversolo you can get in a single box?



Which one of these are the best Value


Stream only, tight budget, no analog gear: A6 Gen 2. The value champ.


Stream only, want the flagship DAC and the big screen, no discs: A8 Gen 2 standard. The rational pick. And my award for best Everolo device, in value terms.


You want the absolute no-compromise ceiling and money isn't the question: Z10 plus T10 as a two-box stack. Dual-mono, fully separated, clock-linked. The peak.


You already own a Gen 1: enjoy it, it's still great, and there's no urgent reason to jump unless you want the bigger screen and the new connectivity.


And the best value of the whole lineup? For me it's the standard A8 Gen 2. Think about it: the same flagship AKM DAC and balanced R-2R preamp as the Master, the same big screen, the same connectivity, for the exact price the original A8 launched at three years ago. You're getting a rebuilt flagship-tier streamer with no price increase. Nothing else here, or frankly anywhere near this money, gives you that much real capability per dollar. The A6 is the budget champ and the Master is the one to buy if you love discs, but pound for pound, the standard A8 Gen 2 is the smartest spend in the range.


WISHFUL THINKING: The A10 Gen 2 Master I Actually Want


Let me leave the facts for a second and dream out loud, because there's an obvious hole in this lineup, and I think we all see it.


The A10 is the flagship, but it's the oldest box in this video. It sits on the pre-Gen-2 platform while the A8 just leapt ahead of it. That gap will not last. Eversolo does not leave the top of its range looking dated.


So here's the machine I'm hoping they're building. Call it the A10 Gen 2 Master Edition.


Take everything the Z10 and T10 stack does so well and fold it into one chassis. Give me the Z10's true dual-mono heart, a full AK4191 plus AK4499 chipset per channel, with the channels kept apart the whole way through, powered by separate supplies. Give me the T10's transport-grade isolation and the OCXO clocking with the external inputs. That alone would be the best digital front end Eversolo has ever put in a single box.


Then put the custom top-loading CD system from the A8 Master on top of it.


Think about what that would be. The two-box, no-compromise stack, plus a disc player, in one unit. The thing I called the absolute ceiling earlier in this video, except you don't need two boxes and an I2S cable to get there. You'd have dual-mono separation, transport isolation, flagship conversion, a proper preamp, and a CD drive, all under one lid.


And here's my honest wish attached to the dream: fix the software. Give me the hardware ceiling and finally pair it with an interface that doesn't stutter, and there is nothing left to ask for. That combination, to me, is the end of the road for what this category can be right now. Everything past it is jewelry.


Will it happen? I don't know. This is wishful thinking, not a leak. But look at the pieces already sitting on Eversolo's own shelf. The dual-mono DAC exists. The reference transport exists. The CD mechanism exists. Nobody has bolted all three into one box yet.


If someone at Eversolo is watching this: you already built every part. You just haven't assembled them.


Conclusion


So there's the map.


The thing to remember is that this whole range shares a spine. The differences are real, but they're specific: a chip tier here, a clock there, a screen size, a disc drive, a set of inputs. Once you know which of those you actually care about, the right Eversolo picks itself.


Full written review of the A8 Gen 2 Master is coming, with the sound impressions and the CD transport put through its paces once my unit lands. Link when it's live.


Tell me in the comments which one you'd put in your rack. And be honest about whether you'd ever actually use that external clock input.




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